如果说《想当年》是费里尼对少年时代的回忆，《八部半》是对他中年创作危机的记载，《罗马》是对他所爱的城市的礼赞，那么本片就是他对Cinecitta电影厂的颂歌世界上最遥远的距离，不是生与死，而是我站在你面前，你却不知道我爱你。　　影片将回忆、嘲讽、自省、幻想等元素融合在一起，让我们见识了镜头前后的各种人物。影片高潮是《甜蜜的生活》的重映把片中主角重新聚拢一堂，颇有一点大师主掌央视《同一首歌》的味...

In our country there is a law, still in force and unique in Europe, which prohibits children not recognized at birth, from becoming aware of the identity of their natural parents unless they have turn...